Bartlett Environmental Design Prize 2024: 'Engraved Cycles' by Jeff Qu Liu

Members of the Max Fordham team have been tutoring at UCL Bartlett School of Architecture for many years. We’ve established a great relationship with the University over that time and we formally recognised that relationship in 2013 by sponsoring an award at the annual student Summer Show.
The Max Fordham Environmental Design Prize is given to the 5th-year design project that demonstrates the greatest level of ambition, originality, technical innovation and philosophical rigour in the field of environmental design and sustainability.
The prize consists of £1,000 to help the student cover project-related expenses. In addition, they present their project to our whole practice and receive ideas from our engineers and sustainability consultants to help them further develop the environmental premise of their project.
Titled ‘Post-Industrial Ephemera’, this project identifies and responds to the resultant material, infrastructural, social, and ecological condition of the UK’s post-industrial wastelands – a result of mass industrial decentralisation and offshoring. Developed in parallel with laboratory-based novel biomaterial innovation, the project employs data-driven design processes to propose a symbiotic post-waste architecture which offers a reinterpretation of highly toxic sprawling infrastructural wastelands as sites of rich material opportunity.
Woven into the abandoned Redcar Steelworks brownfield site within the UK’s Industrial North, and responding to a site which, at the hands of industrially driven sea level rise, is continually contested between toxic land and polluted water, Post-Industrial Ephemera utilises live environmental data-streams alongside digital studies into reparative bacterial growth and spread, to create an architecture which algorithmically swarms the vast material wasteland, searching for useful waste materials from which to generate itself through new post-waste biomaterials, allowing the network to continue to feed its growth whilst healing the polluted landscape.
A novel biomaterial production hub and centre of local industrial heritage, the masterplan offers a cyclical approach to post-industrial architectural carbon negativity through the development and deployment of bacterial post-waste composite biomaterials, which are directly born from the site. These materials, a symbiosis between site-specific material aggregate waste from the demolition and decay of the once iconic infrastructural landscape, and the eutrophic algae-rich waters which are the product of the toxic industrial output and metallic disintegration on the site, aim to bioremediate the post-industrial biome by locking vast amounts of carbon and toxic pollutants within the 3D printed building skin.
Through orchestrated decay and regeneration, the biomass waste product from this material process enters a cyclical ecology, contributing to the further growth of the network, allowing the architecture to be constantly growing, breathing and evolving, continually responding to the site’s environmental toxicity.
The full video portfolio can be viewed here.
The final thesis document can be viewed here.
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