The Natural History Museum’s reimagined gardens open to public
Max Fordham is part of the team behind the innovative UK Pavilion at Expo 2025 in Osaka. Led by ES Global and Woo Architects, with Max Fordham providing MEP engineering and acoustic design, the Pavilion serves as a vibrant showcase of British creativity and culture, while fostering collaboration and shared values with Japanese culture.
Woo Architects
ES Global
Undisclosed
2025
Osaka, Japan
The Expo, which includes submissions from 150 countries around the world, invites visitors to engage in immersive, interactive exhibits highlighting significant moments and milestones in culture, science and technology.
The UK Pavilion’s theme Come Build the Future, draws inspiration from groundbreaking British innovators and industrial and technological achievements — from Ada Lovelace, the pioneering mathematician often regarded as one of the first computer programmers, to the transformative innovations of the Industrial Revolution, which brought on advancements in textile manufacturing.
The unique powder-coated aluminium cladding design is inspired by punched cards used to instruct early computers. The cards are assembled in a weave reminiscent of techniques used to produce textiles during the Industrial Revolution in Manchester and also in Osaka.
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"The local Osaka rental market provided much of the MEP plant. Elements of the modular structure were previously used at the Tokyo Olympics and will be deconstructed when Expo closes for reuse on future projects. The all-electric UK Pavilion is an exemplar in applying the circular economy to reduce the environmental impact of temporary construction."
BEng
Director, MEP Engineering
Partner
To demonstrate a positive long-term environmental approach, the Pavilion was designed to be all-electric, and to employ a circular economy, designed for the disassembly and reuse of the component parts after the expo. Elements such as the external façade, structure, and floor plate are modular, concrete-free and can be taken apart and reused or adapted for other uses. Some elements were previously used for events such as the Tokyo Olympics and Birmingham Commonwealth Games. Much of the material was procured on a lease basis and will be returned at the end of the project.
The main electrical challenge was reconciling Japan's voltage and phase standards with those in the UK. The mechanical challenge was understanding the best way to provide cooling and ventilation in the environment, given Osaka’s climate, which has higher temperatures and humidity than the UK.
The landscape, designed by Fira Landscape Architecture, celebrates the collective appreciation for British and Japanese gardens and the serene countryside of both nations. To support the gardens, a condensate recycling system was designed, which recovers water from cooling outside air and reuses it at night to water the lawn and gardens.
As part of the EXPO regulations, the design, including our MEP design, has been assessed against CASBEE, the Japanese equivalent of BREEAM, and has achieved an A rating.
The acoustic design focused on achieving an environment that would support audio exhibits and provide appropriate sound insulation between the individual performances that form the visitor experience. As the Pavilion’s design was temporary, modular, and lightweight, additional layers of acoustic buffering were required to prevent sound from travelling through the prefabricated floors, walls, and ceilings. Max Fordham also advised on how to keep mechanical plant noise emissions within the limits set by the EXPO regulations.
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